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Formed on Canvey Island in Essex in the early 1970s Dr. Feelgood remains one of the most popular and exciting live rhythm and blues acts in the world. The raw and uncompromising style of their performance resulted in the album Stupidity that immediately went to the number one position in the U.K. charts.

Dr. Feelgood have also enjoyed global success with a string of hit singles including Roxette, Back in the Night, Milk and Alcohol, Down at the Doctors, She Does it Right, Going Back Home and See You Later Alligator - which gave the group their first gold record.

The last album to feature Lee Brilleaux - Down at the Doctors, was recorded live at the Dr. Feelgood Music Bar on Canvey Island, (now the site of the Oysterfleet Hotel) just two months before he died.

The current line up features the rhythm section Kevin Morris on drums and Phil Mitchell on bass (both 34years), Steve Walwyn on guitar (28 years), and Robert Kane (formerly of the Animals) the most recent addition – joining in 1999.

Julien Temple’s film Oil City Confidential released on 2nd February 2010 tells the story of the bands formative years featuring the Wilko Johnson era.

May 2011 saw the digitally re – mastered re release of Chessmasters originally released in 2000 on EMI Records … the band’s tribute to the Chess label, home to many of the finest blues artists of the 20th century and the first Dr Feelgood album to feature Robert on vocals.

The band continues to tour extensively throughout the World.


UK Guitarist Kris Barras has a genre-defying sound: a high-energy hybrid of no-nonsense Rock, Blues and Country. Winners of ‘Best New Band’ in the 2018 Planet Rock awards, the Kris Barras Band have become one of the UK’s fastest rising acts. Recently voted one of the 'Top Blues Guitarists in the World' (Music Radar) and winning the ‘Best Album’ accolade in the European Blues Awards, perhaps best demonstrates the band’s fluidity and appeal to fans of different genres.

Inspired by his father at the early age of only five years-old, Kris was already making an appearance on stage before turning Ten. He has since gone on to spend more than twenty years thrilling audiences throughout the globe playing live in a variety of acts. after forming the kris barras band in 2015, the band have enjoyed a rapid rise to success in just a few years. After a self-released debut album in 2016 (Lucky 13), The release of the much anticipated second album, 'The Divine and Dirty' is when Kris really started to turn heads. Released in March 2018, ‘the divine and dirty’ headed straight to Number 1 in both the Amazon Bestseller's and the iTunes Blues Charts. The album also reached number 3 in the Official UK Blues charts.

The band have appeared at major festivals throughout the UK and Europe. These include Ramblin' Man Fair (UK), Rawa Blues Festival (Poland) and Bliuzo Naktys (Lithuania) as well as tours alongside Beth hart, Joanne shaw Taylor and an upcoming tour with black stone cherry.

In April 2018, it was announced that Kris would become the new frontman for USA super-group, Supersonic Blues Machine. The band feature's legendary artists such as ZZ Top's Billy Gibbons, Steve Lukather (Toto), Eric Gales, Warren Haynes (Gov't Mule) and Walter Trout. kris has toured throughout Europe with the band and will feature on all upcoming releases.

Kris was nominated for 'Blues Guitarist of the Year 2017' by Total Guitar magazine and voted into the Top 15 Blues Guitarists in the World by Music Radar.

The band have enjoyed a lot of radio airplay, with three ‘a’ list singles on planet rock as well as numerous bbc plays and live performances. in June 2018, the kbb appeared on BBC Radio 2 with Richard Madeley, with an interview as well as performing two acoustic tracks live on air to over 3 million listeners.

Interestingly, Kris used to have an unusual side-job alongside his music career. Although recently retired, Kris had a successful 10 year professional mixed martial arts career, which saw him compete and train in Las Vegas, Thailand and Singapore. With a total fight record of 14 wins 2 losses and 1 draw.

“People used to think I was crazy to be fighting in cages, risking damage to my hands. Truth is though, I always enjoyed it and found that the fighting world offered me more opportunities than the Music industry. I got to fight in front of 8000 people in Asia.....I would’ve much rather had played to them instead of getting punched in the face!”

Bernard Allison

Bernard Allison is unstoppable. He’s the face on the magazines and the voice on the radio. He’s the showman roaming the open road on the 2018 Blues Caravan tour, bringing it to the people each night with compadrés Mike Zito and Vanja Sky. He’s the visionary songwriter whose latest studio release – Let It Go – is already tipped as a top album of 2018. It’s a work ethic that would leave most musicians gasping but for this creative dynamo – now entering his fifth decade at the head of the blues pack – it’s all in a day’s work.Starting the blues calendar with a bang in January 2018, Let It Go feels like a homecoming. After all, this latest studio album sees Bernard return to Ruf Records: the iconic German label that was created in 1994 to serve as a home for his father, the much-missed Chicago heavyweight, Luther Allison. Just as significant, Let It Go also found Bernard recording in the birthplace of the blues – Tennessee – and returns his sound to its raw fundamentals, on 12 songs that hold up without embellishment. “Let It Go was recorded at Bessie Blue Studio, Stantonville, Tennessee, with legendary music producer Jim Gaines,” recalls Bernard. “We made the decision to not flood the CD with keyboards or horns, to go back to the true basic rhythm section sound – and to show more mature songwriting.” Since he opened his solo account in 1990 with The Next Generation, Bernard’s songwriting has been on a steep upward trajectory, and Let It Go represents a new peak. On a twelve-song tracklisting, Cruisin For A Bluesin opens proceedings in style, with a clipped funk-blues lick and a lyric that sums up Bernard’s existence since he first guested with his father in the late ’70s (“Gonna groove on down this highway, got my guitar in my hand”).

Zoë Schwarz Blue Commotion

Zoë Schwarz Blue Commotion: “A serious band with unique songs, tight instrumentation, and a powerful woman up front… edgy vocals, and scorching guitar solos.” - Blues Blast Magazine, USA 2017 “A truly independent and original band". The whole band, in its entirety, creates a luxurious and irresistible sound, displaying great skills and artistic finesse. Zoë Schwarz’ dynamic and commanding vocal delivery is both eclectic and suave at the same time; just like a chameleon, one part Janis Joplin, one Billie Holiday, and one Nina Simone”. The band’s exciting live set is based around rootsy originals; featuring strong catchy riffs, interesting arrangements and exciting grooves featuring Rob's electrifying, and unmistakable touch and flow on guitar. The highly accomplished rhythm section of Pete Whittaker-Hammond organ and Paul Robinson-drums (Nina Simone, Van Morrison, The Proclaimers, Paul McCartney to name a few) bring massive musical authority and the ability to push the music in unpredictable and exciting directions. Zoë Schwarz Blue Commotion have made a considerable impact these last five years, and is one of the band’s that have added a fresh approach and vibrancy to the UK jazz & blues scene.
The Ryk Mead Band

The Ryk Mead Band, are indeed a blues band but by definition a lot more. A Stunning Power Blues, Jazz, Rock Trio. Through playing many different styles of music it has always been the case that the blues has had a deep influence on whatever type of material I’ve played. As time progressed, so did the inclination to select the more obscure and less trodden path of song and material I wanted to play. It's hard to say whether this is my influence on the other members of the band or if the others have joined because they feel the same about the way music has influenced them. Whatever the case my band has developed a style of its own. When i play live the set may change from night to night. We might suddenly change an arrangement or change direction at any moment within a song. The basis of the song stays the same but things change, imagination and feel for the moment take over; something new is created. Not even the guy’s in the band know when it's coming. This creates a tension and excitement that means things evolve and develop night by night. With hard work it becomes possible. This makes every gig potentially electrifying and new.
A howlin’ blues three piece - harmonica, guitar, drums – modelled after acts on the Fat Possum label such as RL Burnside and T Model Ford and in the tradition of Hound Dog Taylor and the like. But we also throw in a good heap of Little Walter and New Orleans music, including Professor Longhair and James Booker, making for a unique mix. We’ve been featured in Blues in Britain and our debut CD, a mix of originals and covers, has been getting radio airplay on blues programmes around the country and the US. Our motto: “Work all day for money, fight all night for love.”
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